![]() Selecting proportional, full, low and no modelling lamp output is similarly simple, using a conventional 100W bulb. Alternative save modes include triggering from a flashgun, and ignoring any pre-flash pulses.Įlegant and intuitive, the push-button control panel offers easy adjustment of power output through a 5-stop range, in 1/10th stop increments. Alternatively you can upgrade to the Elinchrom HS Transmitter, which also offers high speed sync flash. The included EL-Skyport Transmitter Plus radio-frequency trigger enables users to adjust flash head settings remotely and has a range of up to 200m. The Elinchrom D-Lite RX 4/4 To Go is a range-topping kit that includes a pair of 400Ws flash heads, sturdy stands, a 66cm square softbox, a 56cm octagonal softbox, and a translucent deflector that enables a beauty dish effect. ![]() Recycle speeds are pretty much identical for both competing heads.Įlinchrom’s D-Lite flash heads and kits have earned a reputation for excellent build quality, ease of use and superb performance. At the bottom end of the range, flash output is more subtle than in the Elinchrom, equating to an aperture of f/7.1 rather than f/16 in our standard one-metre test at ISO 100 (with standard reflector and no brolly or softbox). Maximum flash intensity is a little down on the Elinchrom D-Lite 4, which isn’t surprising given that the Honey Badger has a 320Ws rather than 400Ws rating. The maximum range is around 90m, which should prove ample for most shooting scenarios. This enables you to adjust flash head settings and trigger them from the hotshoe mounting transmitter. The photography lighting kit we've chosen is the dual head option with softboxes and a wireless remote. It’s a bit more noisy in operation because the relatively small heads have cooling fans that run full-time, rather than just kicking in when the going gets hot. Taking its name from reputedly the world’s most fearless animal, Interfit’s Honey Badger head makes a bold entrance in bright yellow and black, with a strong maximum power rating of 320Ws – which isn’t far off the Elinchrom D-Lite kit at number 1 in our guide. If you're on a tighter budget, the best photography lighting kit for you is the Interfit Honey Badger 320Ws 2-Light. Read more: Elinchrom ELC 125 TTL / ELC 500 TTL review As you'd expect, these units are also compatible with Elinchrom's extensive range of light modifiers and other accessories, so if you're already invested in the system, the upgrade just makes sense. The cooling fans are driven by a ‘smart pro-active cooling’ system, which effectively 'learns' your shooting practices in order to deliver the most efficient cooling process. The units are also solidly made, with an all-metal chassis that feel secure and durable. ![]() This adds High Speed Sync to the equations, allowing the user to capture images with flash even at super-fast shutter speeds like 1/4,000sec or 1/8,000sec. The built-in transceiver works in tandem with the Elinchrom Skyport Pro trigger, which comes in seven different variations to cover a variety of camera makes, from Canon and Nikon to Micro Four Thirds. The two heads offer an impressively broad power range, each able to output as little as 7Ws, with maximum ratings of 131Ws (for the 125 TTL) and 522Ws (for the 500 TTL). ![]() Flashguns are handy and fast in a pinch, but they do have their limits in terms of how much control you can exert over the light.Īvailable together in a single kit, these two heads make use of IGBT (Insulated-Gate Bipolar Transistor) technology, which allows for more sophisticated shooting modes to be available to the user. If you want something smaller, simpler and more portable, it's worth checking out our list of the best flashguns. We've made sure that this guide includes all different types of lighting kits, from plug-in studio lights to battery-powered lighting kits designed to be taken on location, as well as continuous LED lighting panels. There are lighting kits and panels right across the spectrum when it comes to pricing, so it's worth having a think to see what's the best you can afford. Then there's also the question of budget. You also want to consider whether you'll mostly be using flash for stills, and how bothered you are about having a continuous light for video. Are you expecting to stay in the studio, or perhaps do you anticipate loading the kit up and taking it out on location? There are lighting kits great for both purposes. The best photography lighting kit for you depends on what you're planning to shoot. ![]()
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